Showing posts with label The Bisti Business. Show all posts
Showing posts with label The Bisti Business. Show all posts

Thursday, February 15, 2018

Beautiful New Mexico

dontravis.com blog post #272
  
Cracked Eggs Formation: Bisti/De Na Zin Wilderness
Courtesy of commons.wikimedia.org
I know! I know! This post is way too long, but I can’t resist taking you on a trip to Taos and the Four Corners areas of New Mexico. These reminders come from the second book in my BJ Vinson Mystery Series.
*****
From The Bisti Business:

Prologue:

A lopsided moon daubed wispy tendrils of scattered clouds with pewter. Glittering pinpricks of muted light smeared the Milky Way while moonshine bleached the barren landscape silver. Sharp-edged shadows shrouded the feet of mute, grotesque gargoyles of clay and sandstone: hoodoos masquerading as monumental toadstools, spheroid stones aping gigantic dinosaur eggs, and eroded clay hills with folds like delicate lace drapery.
         A great horned owl soared above the high desert floor, its keen eyes scouring the panorama below. The plumed predator dipped a wing and veered eastward, attracted by the dull metallic shine of a large foreign object. Quickly discerning it represented no culinary opportunity, the raptor flew in slow, ever-widening circles in search of something more promising.

Chapter 1

I returned to the visual meditation of the landscape outside my window. As nature’s glow dimmed, man-made lights came alive: amber lampposts, white fluorescents, flamboyant neons, yellow vehicle headlights reflecting off wet pavement, and far in the distance a tiny spot moving slowly across the sky—one of the aerial trams hauling patrons up Sandia Peak’s rugged western escarpment to the restaurant atop the mountain.
By leaning forward, I caught the faint, rosy underbelly of a western cloudbank, the lingering legacy of a dead sunset. Was that what had drawn Orando and Dana to the Land of Enchantment? Spectacular scenery and surreal sunsets? Or was it our rich heritage of Indian and Hispanic art? The two were history majors, and Albuquerque had a long history. It was approaching its 300th birthday, while Santa Fe and many of the nearby Indian Pueblos had longer lifelines.
Beyond my line of sight, the city’s original settlement lay to the west where one- and two-storied adobe shops—some ancient and some merely pretending to be—hearken back to their Spanish colonial roots. Now known as Old Town, it was founded in 1706 by Governor Francisco Cuervo y Valdez as the Villa del Alburquerque—some say Ranchos del Albuquerque. In either case, the Spanish colonial outpost was named in honor of New Spain’s Viceroy in Mexico City. The second “R” of the Duke’s name disappeared in 1880 with the coming of the railroad to New Town, located two miles east of Hispanic Old Town, a signal the Anglos had successfully wrested the heart—if not the soul—of the community from its founders.


Chapter 5

We encountered turbulence as the little plane lifted off from the Double Eagle Airport on the west side of town and headed straight up the Rio Grande. The browns and reds and grays of the desert terrain turned a monotonous dun as we gained altitude, broken only by darker wrinkles of dry washes known as arroyos, the double black ribbons of Interstate-25, and the dull sheen of the river—itself somewhat brown. The Rio is classified as a “dirty river,” meaning it carries high concentrations of silt on its way to the Gulf of Mexico. The green-shrouded slopes of the Jemez Mountains to the west provided a splash of color, as did the Sangre de Cristos to the north.
With a maximum range of 470 nautical miles plus a thirty-minute reserve fuel supply, the Cessna would not need to set down before reaching our destination. Taos is a 132-mile trip by car, and at a cruising speed of 129 mph, we would arrive in something under an hour.
“Quite a view, huh?” Jim asked. “I never get tired of it.”
Feeling a kinship with a soaring eagle, I took in the panorama. “Is that weather off to the west going to cause us any heartburn?” Bright bolts of lightning strobed the black sky on the distant horizon.
“I checked before we lifted off. It’s moving north-northeast, so I doubt we’ll be bothered.”
“Feel free to put down somewhere if we are.” I glanced down at the river again. “It’s really amazing how the Rio Grande changes character. Around Albuquerque, it roams around in a broad channel made for a bigger river.”
“You can blame that on the dams,” Jim observed. “When the Rio Grande was declared a wild and scenic river, it flooded regularly. Then they put in all the dams. The way I look at it, they put an end to the flooding all right, but the river and the Bosque are paying the price. They’re both slowly dying.” The Bosque was a two-hundred-mile swath of cottonwood forest lining both banks of the Rio.
Above Santa Fe, the water flowing beneath the plane picked up energy, shimmering in the sunlight as it rushed over rocks on its fall from the high country. The farther north we traveled; the wilder the river became. Soon it was white-water rafting country. A few miles below Taos, the true might and determination of the river become apparent as it raced down long boulder gardens to spill out of the black volcanic canyons of the Taos Box. From above, the river appeared to sink, but in reality, the terrain rose on its climb north toward Colorado.
Over the eons, gravity and friction and the sheer power of water molecules had carved a deep crevasse through the hard basalt of the Taos Plateau. The Rio Grande Gorge Bridge spanned that spectacular canyon ten miles west-northwest of Taos. We circled over the awesome, 500-foot cantilevered steel and concrete marvel of modern engineering as we lined up for a landing at the town’s small strip.
Taos claims a 6,000-year history based on arrowheads, potsherds, and pictographs left by nomadic hunter-gatherers. The town takes its name from the older Taos Pueblo, a massive, multi-storied, pre-history apartment complex of Tiwa-speaking Native Americans. Both the town and the Pueblo are cultural as well as tourist draws. Dozens of Hollywood films, documentaries, and television commercials have been filmed here ever since the 1940s.
Jim had radioed the tower well before touching down at the small municipal airport, and Officer Delfino met the plane, as promised. He turned out to be a police officer with more than a touch of the local blood. Standing five-foot-six in his boots with coarse black hair not quite long enough to wear in the traditional bun but shaggier than most lawmen, he projected a calm competence as we shook hands. It would not be wise to provoke this man. His hatchet face wore an air of serious determination, an impression reinforced by his extraordinarily broad shoulders and deep chest.

Chapter 12

Forewarned by Dix Lee and Lonzo Joe, we hoisted packs stuffed with water bottles, energy bars and a compass. Feeling like I was provisioned for a week in the wilds, I clapped a broad-brimmed floppy hat on my head as protection against the sun and glanced at Aggie. He looked a good deal more comfortable with the situation than I was, but then he would be. He hiked and climbed mountains and conquered deserts more or less as a matter of course. We set off across the rocky ground, following the map Dix had sketched for us. She was supposed to be trailing along behind with someone from the Farmington BLM office. Almost immediately we were swallowed up in a fantastic landscape—not magnificent like the Grand Canyon, but spooky. Weird. Like a moonscape. Mysterious, as if some omnipotent sculptor had capriciously balanced massive, flat sandstone rocks atop slender necks of eroding clay in order to see how long they would stand.
“Damn,” Aggie said in a near whisper. “I’ve never seen anyplace like this. What the hell’s keeping those damned rocks from toppling over?” He indicated one of the distant capped pink and gray striated clay towers wearing what looked to be an outlandish stone beret at a rakish angle. “I wonder what the Good Lord was thinking when he did all of this?”
“Probably did it to watch all of us stand around with our mouths open.”
We were almost diverted from the gravity of our task by the multi-colored stones, petrified stumps, washes filled with wacky shapes, and the silent menacing hoodoos towering uncertainly over us. In one moment, our surroundings were whimsical; in another, ominous. The Navajo considered this sacred ground, and I could understand why. We trod forbidden territory, or at least that’s the way it felt. There were no footprints in the dry washes or anywhere on the stony ground we traveled, and I felt ours would disappear with our passing, as if we walked an alien planet subject to different natural laws., I glanced behind me to check and took false comfort when I saw my shoe prints still existed.
We had barely started our trek, and already sweat was staining my shirt. Following Dix’s hand-sketched map, we plodded on, taking frequent gulps of rapidly warming water, barely able to resist rushing off to explore some fascinating structural gem: thin spires of sandstone rising toward the sky like frozen tongues of flame, piles of mudstone carved by wind and water into ugly, fascinating gargoyles, specks of amber crystal winking in the hot sun, and those endless columns of sculpted, gravity-defying capped rock.
Eventually we reached our target, a broad wash holding clusters of flattened, broken round rocks streaked with wind- and water-carved wrinkles. I’d seen color prints of the Cracked Eggs, but the startling reality was greater than the image. The stones did appear to be gigantic dinosaur eggs broken open and abandoned to the elements—dozens and dozens of them. They weren’t, of course, they were merely clay and stone fashioned by that same capricious Hand. In the photos they’d appeared in a dazzling array of color, influenced by the time of day, the intensity of the light, the influence of the clouds. Now, as the sun beat straight down upon us, they were a flat gray with rosy highlights.

*****
That should make you want to trade your city shoes for hiking boots, abandon Albuquerque, and explore the Taos and Bisti areas. The trip from Albuquerque to Bisti spins time backward from today to the time of the dinosaurs. Think of all that history lying in between!

And now my mantra: Keep on reading. Keep on writing. And keep on submitting your work to publishers and agents. You have something to say… so say it.

If you feel like dropping me a line, my personal links follow:

Facebook: Don Travis
Twitter: @dontravis3

Here are some buy links to City of Rocks, my most recent book.


See you next week.

Don

New Posts are published at 6:00 a.m. each Thursday.


Thursday, March 16, 2017

Car Plunges 650 feet into the Rio Grande Gorge--At least in Don Travis’s novel THE BISTI BUSINESS

 
Cover Art by Maria Fanning
 THE BISTI BUSINESS, the second in my BJ Vinson Mystery Series, is due for release by DSP Publications on March 21, so I couldn’t resist the temptation to talk about it a little.

BJ knows the Napa Valley wine mogul is trouble, but he agrees to search for the homophobe’s son and his male companion, who are missing after a tour of New Mexico’s wine country. Who better to look for a gay heir than a gay PI, right? That’s how he finds himself chasing all over the state for the two college men’s bright orange Porsche Boxter. Almost immediately, he finds clues someone else is searching for the two lovers, as well. The book is due for release by DSP Publications on March 21.

Because I love my adopted New Mexico, my books play out in various places across the state. THE BISTI BUSINESS centers around the Four Corners Area and takes its name from the Bisti/De Na Zin Wilderness, where a ghastly murder takes place. My first in the series, THE ZOZOBRA INCIDENT was released in November of last year, and the third, THE CITY OF ROCKS, is scheduled for July 19, 2017. The fourth, THE LOVELY PINES, is now in its third (and hopefully final) draft.

For a glimpse of the book, let’s look at a dramatic scene from Chapter 5. Alerted that the orange Porsche he is searching for has been spotted in Taos, BJ has just arrived at the Taos Airport in a chartered Cessna piloted by Jim Gray, a friend. He is met at the airport by Officer Gilbert Delfino. The Alfano mentioned is BJ’s California client. We pick up at that point.

*****
Jim radioed the tower well before touching down at the small municipal airport, and Officer Delfino met the plane, as promised. He turned out to be a police officer with more than a touch of the local blood. Standing five foot six in his boots with coarse black hair not quite long enough to wear in the traditional bun but shaggier than most lawmen, he projected a calm competence as we shook hands. It would not be wise to provoke this man. His hatchet face wore an air of serious determination, an impression reinforced by his extraordinarily broad shoulders and deep chest.
“Mr. Vinson, we might have a problem,” he said. “The sheriff’s people couldn’t find the Porsche in El Segundo, but a unit spotted it on the road. There’s a cruiser on its tail right now.”
“Do you know where it is at the moment?”
Not far to the west of us, as a matter of fact.” He motioned with his chin. “Headed for Agua Amargo… or in that direction, anyway.”
“That’ll take them over the gorge, right?”
“They’ll cross over in a few minutes.”
“Maybe they’re just going sightseeing. You know, stand on the bridge and toss rocks into the gorge like all tourists do.”
His lips pulled into a frown. “Maybe, but somehow I doubt it.”
“I expect they’re out of your jurisdiction by now.”
“The town and the county have a reciprocal arrangement, so I have permission for us to join the chase. If it gets too bad, I expect we’ll have to call in Tom Duggin. He’s the state police trooper up here.”
“Well,” I said, “let’s get going, unless you think the Cessna might make a good spotter for the sheriff’s people.”
He eyed the machine with evident interest. “Can’t hurt.”
He raised the sheriff’s department on his cruiser’s radio while I prepped Jim. Within minutes, we took off with the Taos policeman occupying the right hand seat while I crammed my carcass into the baggage storage cavity behind the two men. Delfino would have fit much more comfortably in the small space, but he knew the territory, and I didn’t. He was of more value as a spotter in the front.
The countryside east of the airport is relatively flat and open, so automobile traffic was clearly visible. Almost immediately we saw a county car, lights flashing, on the road ahead of us. Leading the sheriff’s cruiser by almost a mile was a blur of color that was undoubtedly Orlando Alfano’s orange Boxter. Both vehicles had already crossed the gorge.
“These guys aren’t fugitives, are they?” Delfino asked. “I thought we were just locating them for a family matter.”
“That’s right,” I said.
“So why’re they running?”
“I don’t know. Have two Anglo guys from California had any trouble around Taos in the last few days?”
“There’s no record of Alfano or Norville in the area, period. I checked every motel in the vicinity after the Albuquerque police called. If they were here, they didn’t leave any tracks.”
“Then how did Alfano’s car get here?” I asked.
“I don’t know, but there it is right down there. Uh-oh,” Delfino said, “It turned off the road. Hope our guys see it.”
“They’re still back around the curve. They won’t see the maneuver unless the dust gives the Porsche away.”
Delfino asked Jim if he could buzz the cruiser and try to alert them.
“I can do better than that if you know the county frequency.” Jim reached for his radio dial.
Within seconds, Delfino was talking to his compadres. By that time, they had passed the point where the Porsche had left the main road. Before the cruiser could reverse direction, the orange car regained the highway, heading back toward Taos.
“You want me to distract them?” Jim asked.
Delfino shook his head. “No, they don’t realize we’re a spotter. Let’s let this play out.”
“Here they come.” I nodded at the county car now in hot pursuit. “But I doubt they have the muscle to overtake the Porsche.”
“Maybe not, but we can keep them in sight from up here,” Delfino replied.
The occupants of the fleeing car were obviously aware of the posse on their tail. The vehicle hugged the ground as it took off like it had been goosed in the rear by a hotshot. The erratic way the car raced down the road made me question if an experienced driver was at the wheel.
“We got him now.”
Delfino pointed ahead of us. The Porsche rapidly approached the Rio Grande Gorge Bridge where a second sheriff’s vehicle sat in the middle of the span, blocking the fugitives’ escape. Even from this distance, we saw officers herding tourists off of the walkways and observation platforms of the bridge.
“Christ!” the pilot muttered. “Those guys better slow down.”
Delfino grabbed the radio mike and shouted warnings to the sheriffs’ deputies. Belatedly, the Porsche tried to stop, but it was traveling too fast. Skidding sideways, the car almost went over. Then it left the roadway short of the bridge, careening through a vacant rest area and sideswiping a stone picnic shelter. Now totally out of control, the Porsche crashed through the fenced area at the brink of the gorge. We let out a collective groan as it hurtled out into space.
Jim banked over the canyon to watch the automobile take flight. It free-fell a couple hundred feet before striking the side of the gorge, tearing out a sizeable chunk of the wall. From our perspective, it looked as if the car dropped in slow motion, tumbling over and over before smashing into the bottom of the gorge. There was no dramatic explosion, merely an awful finality as the machine appeared to disintegrate like a toy automobile smashed beneath a child’s heel.
Delfino and the pilot crossed themselves and muttered a Hail Mary, bringing home the awful, tragic reality of the last few moments. This was no movie stunt. Someone had just died.
Oh, hell! What would I tell Alfano?

*****
I hope that snippet of the book proved interesting. Here are some links to me and my writing and some DSP Publications buy links:

Blog: dontravis.com
Email: dontravis21gmail.com
Facebook: dontravis
Twitter: @dontravis3


As always, thanks for being readers.

New blogs are posted at 6:00 a.m. each Thursday.



Thursday, January 5, 2017

PI Clients Are Not Always Pleasant (A reprint)


 I chose to reprint the following from near the beginning of Chapter 1 of THE BISTI BUSINESS for this week’s post because DSP Publications will be releasing this book before long.

In the scene, BJ is working late one evening when he receives a phone call from an individual looking for his son who—together with his traveling companion Dana Norville—is overdue from a vacation trip to the great state of New Mexico. The passage makes plain that confidential investigators occasionally end up dealing with clients they don’t personally like and, just as in any other profession, come face to face with bigotry on occasions. It also points out that PIs generally prefer to deal with attorneys as clients because lawyers realize what the rest of us do not. PI’s are information gatherers, not detectives who go around solving crimes… except in fiction… such as in THE BISTI BUSINESS, for example. The scene also allows me to highlight some New Mexico history. Enjoy.

*****
Cover by Mary Fanning
THE BISTI BUSINESS

“How about Norville?”
“That bastard’s a dyed-in-the-wool pansy, and he’s contaminating my son.”
I bit my tongue at the sophomoric outburst. “For your information, Mr. Alfano, I’m pretty ‘dyed-in-the-wool’ myself. I think you need to call someone else.”
“Now wait a minute.” Anthony Alfano obviously was not accustomed to getting the brush-off. “I know all about you. And except for that—nonsense—you’ve got a good reputation. You can move in both the straight world and the gay world. You’re the one I want. Find my son, Vinson, and send him home to his mother and me.”
“It’s Mr. Vinson.” Might as well set the bigoted SOB straight right at the beginning.
“All right, Mr. Vinson, score one for you. Are you sure you’re gay? You don’t sound it.”
“Does your son?”
“No, but—”
“But in your dreams he’s not twisted, right? How about Norville? Am I looking for a flaming queen?”
“Of course, not. Lando wouldn’t hang out with someone like that. No, I’ve got to admit, looking at Dana Norville, you wouldn’t suspect.”
“Then how can you be certain?”
“I did a quick background check on Norville when the two of them started bumming around together, and the guy was clean. But when they…uh, got close, I took another look and found the man Norville had been shacking up with before he latched onto my son.”
“Very well, Mr. Alfano, I’ll look into the matter. I’ll do it for Orlando and Dana, but you’re going to be footing the bills.”
He promised to have his secretary in California call Hazel tomorrow with the credit card information for my retainer and to provide anything else we requested. I asked him to email color photos of the two men. If they were as close as he believed, there would be a few around somewhere. He also gave me his son’s cell and pager numbers.
After hanging up, I tapped my desk blotter with a gold and onyx letter opener fashioned into a miniature Toledo blade. I sighed aloud. The Alfano case had all the hallmarks of developing into a nightmare. Working for attorneys was easier; they understood the process. Private individuals had a warped idea of what a PI did, which was nothing more or less than gathering information. But I was committed, so I might as well make the best of it.
I returned to the visual meditation of the landscape outside my window. As nature’s glow dimmed, man-made lights came alive: amber lampposts, white fluorescents, flamboyant neons, yellow vehicle headlights reflecting off wet pavement, and far in the distance a tiny spot moving slowly across the sky—one of the aerial trams hauling patrons up Sandia Peak’s rugged western escarpment to the restaurant atop the mountain.
By leaning forward, I caught the faint, rosy underbelly of a western cloudbank, the lingering legacy of a dead sunset. Was that what had drawn Orando and Dana to the Land of Enchantment? Spectacular scenery and surreal sunsets? Or was it our rich heritage of Indian and Hispanic art? The two were history majors, and Albuquerque had a long history. It was approaching its 300th birthday, while Santa Fe and many of the nearby Indian Pueblos had longer lifelines.

*****

The Zozobra Incident was released by DSP this past November. Bisti, along with The City of Rocks will be published in 2017. The novels feature the adventures of BJ Vinson and his partner, Paul Barton.

Keep on reading, guys. I always look forward to hearing from you at dontravis21@gmail.com.

See you next week.

Don

New posts are published at 6:00 a.m. each Thursday.

Thursday, August 18, 2016

The BJ Vinson Mystery Series



How many times have you been told: Know your strengths but also know your weaknesses. I happen to think I write reasonably well. Well enough to claim it as a strength, at any rate. But I also know I suck at self-promotion. When it comes to social media, let’s just say the word “social” disappears. What that means, of course, is that I am not now nor will I ever be on the New York Times bestsellers' list.

I recently attended a lecture at a SouthWest Writer’s meeting where the speaker expounded on this subject. He was a very successful local author who works almost as hard at promoting his books as he does writing them. His intent was to inspire the rest of us writers and provide some very helpful procedures to allow us to emulate his success.

Alas, all he did was convince me that I am constitutionally unable to sell myself. He did, however, make one suggestion that I can use. “If you have reviews of your work, post them on your web site." Eureka! I have reviews. So I’m not writing this post. Five other people are. Individuals who come from the ranks of the finest people in my world—readers!

Below are the last five reviews posted to Amazon on THE ZOZOBRA INCIDENT and THE BISTI BUSINESS. As regular readers know, DSP Publications has picked up this series, and Zozobra is to be reborn on November 15, 2016 with Bisti due out March 21, 2017. THE CITY OF ROCKS will see the light of day for the first time about four months after Bisti is released.

The XXX's below represent the number of stars awarded by the reviewer.

J. V. Mills reviewed The Zozobra Incident (A BJ Vinson Mystery Series Book 1)
XXXXX A Great story

Very suspenseful. Some alluded to sex, but nothing graphic. Compelling read for me, enjoyed the conclusion, though the author could have spent a bit more time closing it all down. To read about the trial and the other bits of story line would have bben a great way to wrap it all nice and tidy.

Fair Reviews reviewed The Zozobra Incident (A BJ Vinson Mystery Series Book 1)
XXXXX Excellently Written Mystery

Don Travis writes a colorful, tightly constructed mystery. For anyone interested in New Mexico, he peppers his story with fascinating information about the cultural and historical foundations of Albuquerque and Santa Fe. The Zozobra Incident is a very good first offering from Travis and will make you anxious for more.

Stephen B reviewed The Bisti Business (A BJ Vinson Mystery Book 2)XXXXX he Bisti Business is a Good Read

The gay PI, B. J. Vinson, takes us around the desert country of New Mexico to solve the case of a missing young man from California who is traveling with his lover. For anyone who lives in or has visited New Mexico, the desert landscape offers a challenge to anyone caught unprepred for the relentless heat. Don Travis puts you in the action and you feel you are there. "The Bisti Business" will have you convinced of whodunit before you foind out you hung your hat on a red herring. And there are plenty of them. This is a book that keeps you wanting more. You won't be able to put it down until everything is known. This is Don Travis' second novel following "The Zozobra Incident." Read that one first so you have a feel for the characters when they are introduced again in "The Bisti Business."

Don Travis is my new favorite author. I look forward to his next mystery.

Richard L. Thomas reviewed The Zozobra Incident (A bJ Vinson Mystery Series Book 1)
XXXX Great gay detective.

Love having a gay detective series when I can go on a new adventure with good plots and realistic stories. I will be looking for more of this series.

English teacher reviewed The Bisti Business (Volume 2)
XXXXX Good mystery!

Of the two books I read by Don Travis, this was the better. The setting is interesting and the characters appealing.

                                                               *****

I hope this was of some interest to you. Keep on reading, guys. Feel free to contact me at dontravis21@gmail.com.


New Posts published at 6:00 a.m. each Thursday.

Thursday, July 21, 2016

SEMICOLONS, Those Ornery Little Critters

 I seem to have an occasional compulsion for confessing foolishness and foibles as practiced by Donald Travis. There are plenty to select from… and believe me, I’m very selective.

A few weeks ago, the writing class I co-host reviewed the uses of the grammatical mark we call a semicolon. You know, that thing you don’t really understand but throw into your writing now and then for variety’s sake. Its most glaring peculiarity seems to be that (together with big brother Colon) it’s the only grammatical that goes outside quotation marks. If that isn’t enough for you, take a look at the thing: [;]. It’s a big dot in the middle of the line of type with a menacing claw attached to it. That should be enough to warn anyone away except for the bravest… or the foolish.

At any rate, I recognized that during our class discussion the subject of semicolons in dialogue would come up. Although the style book I use is silent on that particular subject, I had been taught that you do not use semicolons inside dialogue because in spoken conversation, semicolons cannot be heard. Nonetheless, I contacted my chief editor at Dreamspinner, a very helpful British lady named Sue Adams. She confirmed their practice is moving toward expunging semicolons from dialogue whenever they discover the errant little creatures. So at the very next Wordwrights Writing Class, I went forth and preached the holy text.

Last Saturday, I completed my review of the “Author” edit of THE BISTI BUSINESS, which is what Dreamspinner Press calls their first review of a manuscript. Their editing department uses the Word Track Changes program for the process. I must admit it was very disconcerting to see bubbles saying the Author suggested this and recommended that or (worse yet) quoted Chicago Manual of Style. I was the author, wasn’t I? After accepting their concept, I waded through the assault on my manuscript.

The first time the editor recommended I change a semicolon to a comma within dialogue, I assured Nicole (the editor of this first edit) this was a typo, as I never used them in this manner. In addition, I taught this to my class.

The second time she recommended a semicolon inside dialogue be changed to a period, I admitted she had just made a liar out of me.

On the fourth one, I confessed to embarrassment. The tenth? Mortification.

After the twentieth, I surrendered and told her to do whatever the hell she wanted with them.

Unfortunately, she had ample opportunity to exercise that freedom thereafter.

In my feeble defense, THE BISTI BUSINESS was written in 2011. Presumably, even I can learn something in five years’ time. I don’t know, maybe I ought to take a look at all my unpublished manuscripts.

*****
Well, that gets confessions behind us for a little while. I hope my self-flagellation was of interest.

Feel free to contact me at dontravis21@gmail.com. As always, thanks for being readers.


New Posts published at 6:00 a.m. each Thursday.

Thursday, July 7, 2016

Cover Art for THE CITY OF ROCKS

Thanks for your help, guys. THE ZOZOBRA INCIDENT and THE BISTI BUSINESS covers are now finalized. I am pleased with both of them.

Now I’m going through the same process with THE CITY OF ROCKS, so I am soliciting your opinion on that cover, as well. Take a look the proposed artwork and let me know what you think. Your feedback is important.
 
Courtesy: Dreamspinner Press Art Dept
Maria Fanning, Artist
As you can see, this is not a clean copy as it is still in development. Would like your opinion of the cover for this third book in the BJ Vinson Mystery series. 

*****
Might as well take a look at the other two and see what the series will look like. Remember, ZOZOBRA is due out in November with each of the other two books to follow about four months apart. Here they are:
 
Courtesy: Dreamspinner Press Art Dept
Maria Fanning, Artist






The Zozobra cover is finalized and is a clean copy. This is the way it will appear on the book.













Courtesy: Dreamspinner Press Art Dept
Maria Fanning, Artist





The Bisti Cover is also finalized. Love the hoodoos!















There they are, the covers for the first three books in the BJ Vinson series. The first draft of the fourth book (with a working title of THE LOVELY PINES) is now about 40 percent completed.

*****
Thanks for your help in getting this far. Please give me your opinions and comments at dontravis21@gmail.com. As always, thanks for being readers.


New Posts published at 6:00 a.m. each Thursday.

Thursday, June 9, 2016

Prologues (Conclusion)

For the past two weeks, I’ve published Prologues of two other local writers and asked the reader to try to determine the author’s intended message in these short passages.

For the final segment of this series on Why I Like Prologues, I’d like to review prologues from my B. J. Vinson Mystery Series, both published, awaiting publication… and one work in progress.

As noted previously, my prologues try to set the tone of the novels. They are normally short but packed with information for the discerning reader. Let’s look at some.
*****
South of Santa Fe, New Mexico
The Sangre de Cristos to the north and the Jemez Mountains on the west stood like massive, mute sentinels. An unforgiving sun high in the cloudless sky bleached the desert landscape brown and turned Interstate 25 into twin ribbons of glistening black tar. The white four-door Impala barreling down the highway pushed the speed limit—not enough to attract the attention of passing cops but sufficient to clip a few minutes off the hour’s drive to Albuquerque.
A blue Mustang convertible closed the distance quickly and then paced the white car. When the Chevy began its long descent down the steep slope of La Bajada into the middle Rio Grande Valley, the Ford muscled past in a burst of speed. Suddenly it swerved right, catching the front fender of the Impala and sending it hurtling toward the sheer drop-off beyond the shoulder.

In this Prologue of THE ZOZOBRA INCIDENT, we meet no one, neither protagonist nor antagonist, but we are alerted to the fact this is likely a novel of action and danger. We know that lives are at risk with people willing to claim them through violence. We also get a sense of the New Mexico countryside in this omniscient point of view prologue. The narrative that follows is told in the first person, as are all of the books in this series.

Note: The photo shown here is the cover to the book that was published. My new publisher, Dreamspinner Publications is currently developing new art for their release of the book, presently scheduled for September.
*****
Bisti/De-Na-Zin Wilderness, South of Farmington, New Mexico
A lopsided moon daubed wispy tendrils of scattered clouds with pewter. Glittering pinpricks of muted light smeared the Milky Way while moonshine bleached the barren landscape silver. Sharp-edged shadows shrouded the feet of mute, grotesque gargoyles of clay and sandstone: hoodoos masquerading as monumental toadstools, spheroid stones aping gigantic dinosaur eggs, and eroded clay hills with folds like delicate lace drapery.
A great horned owl soared above the high desert floor, its keen eyes scouring the panorama below. The plumed predator dipped a wing and veered eastward, attracted by the dull metallic shine of a large foreign object. Quickly discerning it represented no culinary opportunity, the raptor flew in slow, ever-widening circles in search of something more promising.
The huge bird’s flitting shadow startled two figures, interrupting their heated argument. Both glanced up quickly. Taking advantage of the moment, the larger man snaked a belt from his waist and slipped behind the other. He whipped the leather strap over his victim’s head, driving him to the ground with a knee to the back. After a short, desperate struggle, the man sprawled in the cooling sand ceased to resist. The violent tremors in his extremities passed, and he lay still.
Panting from his exertions, the killer rose and began the hunt for a suitable crevice to hide the body. It wasn’t difficult to find one in the unstable terrain of these remote badlands. Satisfied his cairn of loose stones and sandy soil blended well with the rest of this weird, other-world place, he turned and plodded toward his distant vehicle.

Does this set the tone for a book, or what? Murder in the wierd terrain of the Bisti/De-Na-Zin Wilderness . We certainly don’t meet the protagonist (at least we hope not as he would be either dead or a murderer), but we certainly get a glimpse of the antagonist. This omniscient glimpse of blatant murder in such an unworldly landscape sure gets my interest.

Same disclosure on the cover art as above. No release date has been set for this book by the new publisher, Dreamspinner Publications, but is anticipated to be in January 2017.
*****
M Lazy M Ranch in the New Mexico Boot Heel
The thief froze as a string of sharp yips hammered the quiet night. Both big Dobermans were darted and sleeping soundly out at the fence, so this yapper must be a house pet. A light flashed briefly as the back door opened. A fur ball with pointed ears bounded down the steps and made straight for him. The feisty canine latched onto his pant leg and whipped it back and forth, growling furiously. A growl was preferable to a bark, so he dragged his dog-impeded leg like a zombie in some old Hollywood movie.
As he reached the poultry pen, all hell broke loose. A single quack built into a raucous caterwauling. Someone must have flipped a switch up at the house because brilliant light suddenly flooded the enclosure. He reeled backwards, stunned by a sea of white. Ducks. Dozens of ducks. Hundreds. How was he going to find the right one?
The dog attached to his pant leg shifted its grip and closed on his ankle. Cursing, he gave an involuntary kick, sending the pooch over the fence. The ducks scattered, opening a circle of dark earth around the confused mutt. The pup transferred its attention to the birds and began a joyful chase, dashing this way and that, parting its panicked prey in dizzying waves of undulating white, creating a living kaleidoscope of shifting shades and shapes.
Then he saw her. In a coop all by herself. Like she was waiting to turn into a swan or something. A clamor from the house galvanized him into action. He vaulted the fence, threw open the cage door, and dragged her out by the neck. He ignored the claws raking flesh from his forearms as he fled through a horse corral at the back of the pen. He made it to the cover of some shrubbery before the ranch came alive. Moments later a woman’s agonized wail rose above everything.
Remembering he was to deliver the duck alive, he loosened his hold on the feathery neck. The bird immediately set up a loud protest that could have awakened the dead but wasn’t enough to overcome the clamor of the hundred or so other birds. He turned and headed for his pickup. Best get out of there before Millicent Muldren’s drovers filled him full of lead.

This Prologue from THE CITY OF ROCKS has no cover art as this is the novel presently awaiting its initial release, anticipated to be late spring 2017. In this passage, the reader is led to the conclusion that the "kidnapping" of a duck is a frivolous crime. Our hero, BJ Vinson, treats it as such until people start dying when he goes on the hunt for the duck. An unusual case for him.
*****
     The Lovely Pines Vineyard and Winery, Valle Plácido, New Mexico
     An unmoving figure watched silently from the edge of the dark wood as blustery night winds raced through undulating evergreen boughs to brush rough-barked trees with feckless lover’s kisses. Littered leaves and pine needles trembled before gusts as if the Earth, itself, were restless. Advantaging an errant cloudbank obscuring the half moon, the intruder picked up a heavy cylindrical bag and breached a four-foot stone wall. The prowler crossed  the broad lawn, pausing briefly before a brick and stone edifice to scan a white sign with spidery black lettering by the uncertain light of a small electric fixture trembling in the breeze.
THE LOVELY PINES VINEYARD AND WINERY
Valle Plácido, New Mexico        Ariel Gonda, Vintner
Established in 1964             Fine New Mexico Reds
     The wraith made its cautious way to a larger building at the rear of the stone house and took a small crowbar from the bag to pry a hasp from the heavy door. Hesitating only to make sure no alarm had been triggered, the black shadow vanished into the depths of the deserted winery.

This omniscient Prologue for THE CITY OF ROCKS, a book that has been accepted by Dreamspinner Publications to be released sometime in 2017, paints the picture of a mystery that takes place in a Winery in the small fictional town of Plácido, New Mexico. We meet someone, an intruder, but have no idea if he (if it is a he) is a protagonist or an antagonist or fits somewhere else in the story. This is the book I am working on at the present time, so there is no cover art—present or pending.
*****
I hope this post and the two preceding it will cause you to pause and reconsider the use of Prologues in novels. As I said in the first piece, Prologues are considered passé. But as I cautioned then: What goes around, comes around.

Hope this was of some interest to you. Keep on reading, guys.

Feel free to contact me at dontravis21@gmail.com.


New Posts published at 6:00 a.m. each Thursday.

Thursday, April 28, 2016

THE ZOZOBRA INCIDENT Due for Re-release by DSP Publications in Fall 2016

As some of you know, the BJ Vinson mystery novels have been picked up by DSP Publications, an imprint of Dreamspinner Press. The first book, THE ZOZOBRA INCIDENT is due out this fall. A specific date hasn’t been set but is anticipated to be in September. THE BISTI BUSINESS and THE CITY OF ROCKS will follow one after the other approximately four months apart. Having recently completed the second edit of ZOZOBRA with Dreamspinner’s editorial staff, I’d like to post a particular scene from that novel. What follows occurs at the beginning of Chapter 3, and is the first time our confidential investigator meets Paul Barton, a young man who will become intimately involved with both BJ, personally, and the difficult and deadly case he is working on.

The following is from the second draft of the novel, which is a "Track Changes" document. Some of the edited changes show up as blue text. I thought that might be interesting for some of you, so it remains in the post.
*****
THE ZOZOBRA INCIDENT

I relaxed on a chaise lounge amid the clashing odors of chlorine from the pool and the summer roses climbing the whitewashed adobe walls as I eyed the North Valley Country Club’s new lifeguard. Lean, loose-limbed, and broad shouldered, he had the ideal swimmer’s build, reminding me somewhat of Del, even though Del was a Teutonic blue-eyed blond, whereas this young man was bronzed and brunette, and his eyes were likely brown. Up close, the dark shape on the left pec would probably morph into a small tattoo. Spandex seldom did anything for me, but his thigh-hugging, well-filled trunks were… interesting.
As the place was deserted at this early hour except for the two of us, the lifeguard turned pool boy and policed the area, scooping fallen leaves and debris from the water with one of those baskets mounted on a long aluminum pole. He worked his way to my side and netted a soggy candy wrapper.
“Kids,” he observed in a pleasant baritone.
Seized by an unexpected need that was 90 percent loneliness, I did something I had not done in twelve long months—reacted to the good-looking guy. Flustered, I fumbled for the orange juice on a table beside me and overturned my glass.
He knelt to recover the tumbler, holding it up and offering to get me another.
Yep, brown eyes, deep and soulful. Dangerous eyes on one so young. He couldn’t be more than twenty. The dark spot above the nipple was a small dragon.
“No, thanks. Nothing left but ice cubes, anyway. But I appreciate your offer, uh….”
“Paul. Paul Barton.”
“Paul.” I was surprised by the family name. There was a strong Latin look about him. Must be the mother’s blood.
“Anytime.”
He rose, our eyes locked—and the penny dropped. This was the young man I had seen dancing so energetically at the C&W last night. He broke first, raking me with his intense gaze. His lips twitched as he zeroed in on a two-inch scar on my inner right thigh. My body looked pretty good except for that purple, puckered blemish. At first I’d been spooked by Del’s reaction to the pockmark and tried to hide it from the world. But after putting up with that foolishness for six months, I said to hell with it. The world was full of imperfections, and it could deal with this one too.
“Bullet wound,” I said.
“Damn, I’ll bet that hurt.”
My throat closed up at his casual treatment of the wound. Maybe I wasn’t as blasé as I thought. “Like you wouldn’t believe. That’s why I swim early in the morning. Therapy.”
“Swimming’s the best exercise in the world,” he declared like a true water bug. “And you were really going at it a few minutes ago. Looked pretty good out there.”
“Thanks.”
As Paul turned back to the pool, a cell phone on a nearby table piped the first line of “Dixie.” The conversation was short. He admitted to someone named Jill that he got off work at five but said he’d decided to cool it this evening, turning down what was obviously an offer of some sort. Was it coincidental he was watching me throughout the entire brief conversation?

*****
There's definitely something going on here. It'll be nice to become better acquainted with this hunky Latin guy.

The cover art of the new release will be different, and there are a few tweaks in the prose (as you can see from the blue text above), so I’m really anxious to see the final product.

Thanks for being readers… and keep up the good work. Let me know what you think at dontravis21@gmail.com.

New posts published at 6:00 a.m. each Thursday.



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