Showing posts with label Jazz Penrod. Show all posts
Showing posts with label Jazz Penrod. Show all posts

Thursday, February 16, 2023

Jazz Penrod From the BJ Vinson Murder Mystery Series (Part 1 of 2 Parts)

 

dontravis.com blog post #587


The other day, I was talking with an author friend about characters we’ve created in our own writings. When she asked which of the individuals (outside of the protagonist and his supporting staff) in the BJ Vinson Murder Mystery Series was my favorite, the answer came right away, Jasper (Jazz) Penrod, the sassy, openly-gay-and-don’t-give-a-damn-how-you-feel-about-it, half Navajo-half white teenager I introduced in the series,
The Bisti Business. Had to be, I built another book (Abaddon’s Locusts). Bisti was the second book; Abaddon, the fourth. That got me to thinking about how characters mature from one book to the other. As a result, I’d like to take a brief look at Jazz in both of the novels to see how he’s grown.

 

****

BJ is in Farmington, New Mexico with a young man named Aggie Alfano (son of a California wine mogul) trying to locate his gay brother Lando and Lando’s lover Dana, who have disappeared while traveling the state. BJ picks up a hint of trouble between the two young men that might involve someone named Jazz Penrod.

 

He checks with his Farmington Police contact Sgt. Dixie Lee to see if she knows the kid:

 

The kid had first come to the department’s attention the day he turned thirteen when he broke a bottle over his father’s head during a drunken domestic brawl. The prosecutors decided he was acting in defense of his mother, so no juvie charges were filed. Within a month, he was back in their sights when a cop caught a twenty-two-year-old man in a compromising position with him. Since Jazz was a minor, the entire weight of the law fell upon the adult, who was charged with child sexual abuse. The next time it was a high school senior basketball player who suffered the consequences.

“There’s not much here except for sexual liaisons and the beer bottle incident with his father,” I said. “Just a shoplifting charge last year that was dismissed.”

“Yeah. We looked into it, and it was clear the accusation was payback when Jazz spurned some guy’s advances.”

“No fighting. Nothing like that,” I continued. “That’s unusual, especially the lack of fighting. I’d think an obvious gay would be in scrapes all the time around here.”

“Probably would be except for his older brother and his uncle. He’s got protectors on both sides of the family. Henry Secatero, his half-brother, is more of a father than Louie Secatero ever was. Henry’s a tough guy, and if anybody plows into Jazz….” Dix faltered, apparently tripping over on her choice of words. “That is, if anybody attacks Jazz, they have him to deal with. Henry’s been in trouble more than once over situations like that, but it’s never anything serious enough for more than a night in jail.”

“How old is Henry?”

“Around twenty-eight or so.”

“Native American, I take it,” Aggie interjected.

“You take it right.”

“You said something about protection from the other side of the family, too,” I said.

 

“His mother’s brother, Riley Penrod has always been protective of his nephew. Riley’s been in a few fistfights over Jazz. Not as much and not as violently as Henry, but enough so you’d sit up and take notice. So word got around pretty quick not to lean on Jazz.”

She did that thing with the curl of hair at her shoulder. “Of course, Jazz does all right on his own. He looks like an angel, but he fights like a devil.”

I tapped the folder in her hand. “Nothing about that in there from the quick glance I saw.”

“No, he’s always been the victim. That is to say, the other guy threw the first punch, but Jazz gets in his quota. You wouldn’t think it from looking at the kid. He’s long and lanky, but he’s got a set of muscles hidden under his shirt. Here, take a look for yourself.”

Even the kid’s mug shot, taken for the bogus shoplifting charge, was something. A spectacularly handsome adolescent peered out from the image through dark, smoky eyes. Full, blushed lips. High, smooth cheeks. Gracefully arched brows that ended in a slight, upward twist, giving the teen an impish look. Raven hair spilled down on his neck in an ebony halo, slightly wavy and looking silky to the touch. Jazz Penrod was saved from androgyny by an Adam’s apple and the defined, definitely male slope of his shoulders. I got the feeling that in person, the kid was graceful, maybe even excessively so, but not a mama’s boy. I could understand how he came by his reputation. With those sultry, exotic looks, he’d get plenty of action by just crooking his little finger—or better yet, lifting one of those eyebrows. There was little of his mother in the image; he probably resembled Louis, his father.

 

He and Aggie find Jazz the next day. BJ is speaking.

 

“Look across the street. The kid walking west.”

“It’s him. It’s the Penrod kid, isn’t it?”

“Think so, but I can’t be sure.”

“Let’s go talk to him.”

I pulled out and turned back toward our rooms. “We will. But I don’t want to spook him.”

“What are you going to do?”

“The kid’s gay. He’s receptive to the attention of presentable men, so—”

“Hell, we’re presentable. Let’s go.”

“Not we. Me. You look too much like your brother. You wait in my room while I try to pick him up. If I can, I’ll bring him back for a chat.”

“Sounds like a plan.”

I let Aggie into my room and drove out onto Main. For a moment, I thought I’d lost Penrod, but then I spotted him far down the street. That long-legged gait ate up the distance.

I drove past, confirming it was Jazz. Pulling a U in full view of him, I approached at a crawl. His stride shortened as he eyed the car. I halted ten paces in front of him and leaned across the seat so he could get a good look at me.

The “stare” is a standard move for a lot of gays on the make, but in New Mexico it is a complicated maneuver. Many Native American cultures have an eye avoidance custom, considering it rude. Gangbangers take it as dissing, a challenge to their machismo. A lot of straights feel it’s an invasion of their space; it makes them uncomfortable. Jazz Penrod didn’t have a problem with it; his gaze locked onto mine.

“Morning.”

“Morning.” His smile displayed a row of straight, sparkling white teeth. “Can I help you?”

“Maybe you can. I’m new in town. Just here for a couple of days. You look like a fellow who can tell me where the action is.”

“Depends on what kind of action you’re looking for.”

“Why don’t you get in the car, and we’ll discuss it. Maybe we can go back to my motel room to talk at leisure.”

“Where you staying?”

I motioned with my head. “Down the street. Trail’s End.”

He did a half turn and looked toward the motel. “Don’t see why not.” He stepped off the curb, grasped the door handle, and slid into the passenger’s seat. “My name’s Jazz.”

I accepted the handshake, noting the strength of his grip, which argued Jazz Penrod worked for his living, although exactly what kind of work seemed to be a mystery.

“BJ. Up from Albuquerque for a visit.”

“BJ. Like the initials?”

I nodded.

“Here on business?”

“In a way.”

As I pulled out onto the street, his eyes raked me. “Go in the back way,” he directed. “I know the girl who works in the office there.”

“You mean Melissa? She seems like a decent sort.”

“She is, but….” He left the rest unsaid.

I turned away from the office and circled around behind the building in order to reach my room. Jazz got out of the car and waited until I unlocked the door. As I moved aside, he stepped into the room where he abruptly halted.

“What is this?” He backed up, bumping into me. “I don’t do threesomes.”

“Not asking you to.” I applied pressure to his broad shoulders. “Just want to talk to you for a few minutes.”

“No, thanks. I gotta be someplace.”

I managed to close the door and lean against it, blocking his way. “Hear me out, and then you can leave if you want. Won’t take but a minute.”

Jazz stepped forward, giving me some room. He motioned toward Aggie sitting on the edge of the bed. “I know you. Well, I mean….”

“Looks just like his brother, doesn’t he?”

“You’re Lando’s brother?”

“I’m Aggie Alfano.”

“Look, man, Lando and Dana came on to me. I didn’t—”

“Nobody’s pissed, Jazz,” I assured him. “We just need some answers. Dana and Lando are missing, and we’re trying to find out what happened to them.”

“Missing?”

“Yes, and their car went over the Rio Grande Gorge near Taos the other day, although neither of them was in it.”

“No shit? That Porsche? Man, that was a bitchin’ ride.”

“Sit down,” I indicated one of the two chairs at a small table. “Let’s see if we can figure out a couple of things.”

I examined the young man as he strolled to the table and settled into a seat. Although the photo Dix Lee had shown us looked vaguely androgynous, the flesh and blood Jazz Penrod exuded a powerful masculinity. But there was something else at work, too. Some sense of vulnerability, approachability. This guy could probably raise the pulse rate of half the men and women in town. He tossed his head, throwing his shoulder-length hair back. Seductive as hell, and he wasn’t even trying.

“When did you meet Lando and Dana?” I asked.

“I don’t remember the exact date, but I know it was a Sunday night a couple of weeks ago.” His voice was a light baritone with a husky quality. The inflection on some of his words was different—he almost swallowed the final syllables. Yet, he came across loud and clear.

I took out the calendar I’d worked up for Lando’s trip and made a notation. “That would have been August 12, right?”

He shrugged. “I guess. I know they’d gone to the Aztec Ruins that day because they talked about it.”

“You met them at the Sidewinder?”

“Yeah. We got to talking, and they bought me a drink or two.”

“We understand Lando and Dana got into an argument at the bar. Was that over you?”

Jazz smiled. “Nope. They were arguing about where to go the next day. Lando wanted to go see the Bisti Badlands, but Dana wanted to try the Salmon Ruins.”

“That was it? That caused an argument?”

“Not really an argument, but,” Jazz cut his eyes to where Aggie sat on the bed, “Lando did this Italian thing. You know, getting earnest when he talked.”

Aggie chuckled aloud. “You got him down pat, Jazz. That’s my brother. Italian.”

“So did you go back to the motel with them when they left the bar?” I asked.

Jazz shook his head. “No.”

“Look, we need the truth, okay?”

“Uh-uh, I didn’t go to the motel with them, but they gave me a ride back to town and dropped me off at my place. It was their decision, not mine,” he added. “They were pretty much into each other—that night, anyway.”

“But you saw them again and decided to get between them.”

“Not exactly. I mean, I saw them again. I went to the Salmon Ruins with them the next day, but I wasn’t trying to cause trouble.”

“But that’s the way it turned out, right?” I asked. The skin around those expressive black eyes tightened; I recognized stubbornness when I saw it. “Jazz, those guys might be in real trouble. We need to know everything that happened. Some trivial little detail might turn out to be important. You caused some trouble between them—right or wrong?”

“Okay. Yeah, Lando caught me flirting with Dana at the pueblo. Pissed him off, but he got mad at Dana, not me.”

I decided to push. “Come on, Lando was a good-looking guy. He owned the car, and he was the guy with the money.”

Jazz came halfway out of his seat. “Hey, man, I’m no whore. I only go with guys I like.”

I nodded at Aggie. “What’s not to like? And from the picture I’ve seen, Lando’s even better looking than his brother.”

“Yeah,” the kid said, settling back in his chair again. “He was fucking beautiful. But Dana was, too. And I like guys who don’t look like me. You know, with the same dark hair, dark eyes—like me.” With a sideways look at Aggie, he gave a grin. “I’d go for you before him. That’s cool hair. Brown, but not really brown either. Reminds me of coffee with cream in it. And I like green eyes—you know, like emeralds.”

“Thanks for the compliment. I understand how it went now. So Lando got steamed?”

“Yeah. They got in an argument—a real one this time. I guess I shoulda felt bad, but I didn’t.”

“You like two good-looking guys fighting over you?”

“Well, yeah. Who wouldn’t? But it wasn’t like that. Lando didn’t get his nose outa joint because I didn’t come on to him; he just didn’t want Dana to get with me. They argued all the way back to town. But you know after awhile, I got the feeling they weren’t really arguing about me. Something was bothering them, all right, but it wasn’t me.”

“They never said what it was?” He shook his head. “But you went back to the motel with them, didn’t you?” I said.

“Yeah. I got out in front of the motel to walk home, but I heard Lando say he was going down the street to take care of some business at a gallery. Something about a painting he wanted to buy.”

“And he left you alone with Dana.”

“Not really. Like I said, I got out in front of the motel and started up the street, but when Lando pulled out alone, I went back—you know, to apologize to Dana. He invited me inside.”

“So you got together with Dana?” Aggie’s voice held a trace of anger.

The insolent grin returned. “Yeah, we did it.”

“And Lando caught you?” Aggie pressed.

“No, but it took longer then we planned, and I was just walking up the street when the Porsche came back. Lando might have seen me on the sidewalk, but I’m not really sure.”

Aggie and I exchanged glances. That explained the fight that almost came to blows Melissa had described.

 ****

Next week, Jazz in Abaddon’s Locusts. Has he changed?

 Stay safe and stay strong.

 Now my mantra: Keep on reading and keep on writing. You have something to say… so say it!

 A link to The Cutie-Pie Murders:

 https://www.dropbox.com/s/ambxgy7e5ndmimk/CutiePieMurders%5BThe%5D.zip?dl=0

 My personal links:

 Email: don.travis@aol.com.

Facebook: www.facebook.com/donald.travis.982

Twitter: @dontravis3

 See you next Thursday.

                                                                                                                                 

Don

 New Posts every Thursday morning at 6:00 a.m. US Mountain time.

Thursday, October 5, 2017

Another Peek at Abaddon’s Locusts

On April 13 and again on August 10, I gave readers a peek at the fifth novel in the BJ Vinson series called Abaddon’s Locusts. After the first post, a couple of people ventured guesses who the youth on the bed in a motel room was. In the second one, I revealed that it was Jazz Penrod, a handsome, happy-go-lucky, half Navajo youth who fully embraced his homosexuality. We first met him in The Bisti Business when he and his half-brother Henry Secatero help BJ solve a case and rescue a young man. I decided to feature Jazz in another novel, and Abaddon is that book.

All of the BJ Vinson books to this point are told from BJ’s viewpoint (viewpoint is a biggie to authors), but I strayed from the norm for this one. In a few chapters, we are in Jazz’s “head” and view things through his eyes. I’d like to give you a snippet of the book from that viewpoint.

The following scene comes at the beginning of Chapter 5. Jazz, seeking a loving and lasting connection, is lured to Albuquerque for a face to face meeting with a young Hispanic named Juan. Things are good, but Juan says they can be better and introduces the naïve young half-breed to crack cocaine. Once Jazz is hooked, he’s turned over to an obviously wealthy white man identified only as Silver Wings because of his hair coloring. Let’s see how Jazz is handling the situation. One thing is clear. He’s not as likable as when we met him in Bisti.

I hope the read is interesting.
*****
Courtesy of Pixabay
ABADDON’S LOCUSTS
          “Hey, wake up. Need to ask you something.”
          Jazz roused from a dream as Juan shook him roughly. “Le’ me alone,” he mumbled, seeking to recapture the reverie. Water Sprinkler and some other Navajo Yé’ii had been in it. He grew surly when he realized the details escaped him. Wouldn’t have mattered much if he could recall. He wasn’t raised on the old legends like most guys his age and didn’t understand a damned thing about that side of his blood. Water Sprinkler was the rain god—that much he knew. So likely that meant his parade was going to get rained on. Big time.
          “Man, that crack shit’s taking you over. All you do’s fuck and bitch. Come on, man. Wake up.”
          Jazz pushed himself against the headboard and tried to focus. The sheet fell away to reveal his naked torso. Seemed like he was always naked nowadays. Juan reached out and stroked his pecs. Juan liked to touch him. Jazz had liked it too…once.  Now not so much. He shrugged the hand away. “Leave me alone. I finally got to sleep and you wake me up. I need a pipe, okay?”
          “A shower’s what you need. Silver wings wants to meet you tonight.”
          Jazz’s stomach did a flip-flop. “I don’t like him.”
          “Well, he digs you. Think he’s gonna want you to move in with him.”
          The idea struck Jazz like a crowbar jammed into the gears of an engine. His thinking came to a halt. He needed a pipe. That was the only good thing about Silver Wings. Jazz always got good crack before the man arrived. “Smoke,” he mumbled.
          Juan shoved two photos at him. “Later. Right now, I need you to look at these pics.”
          Jazz struggled to focus as he scanned the photos. They were the same handsome man, one with a shirt, the other without. His stomach cramped and he felt itchy. “Who’s this?”
          “You tell me. He says he knows you. Says you told him about me?”
          “I did?”
          “You know him?”
          Jazz blinked a couple of times and moved one picture back and forth until it became clearer. Struggling to get his mind to work, he rubbed his eyes before taking another look. The guy seemed familiar. But Jazz associated him with someone else. Someone he liked. Admired.
          “Dude lives here in Albuquerque,” he said aloud. “Don’t remember his name.”
          “Does the name Paul mean anything to you?”
          “Yeah. That’s it. Paul.” Jazz had no idea if that was correct, but it was easier to agree with Juan.
          “Paul what?”
          “I dunno. Just Paul.”
          “You tell him about me? Send him my photo?”
          “He says I did, I guess I did,” Jazz mumbled, sliding back beneath the thin covers. His eyes were closed as Juan left the room with a warning they’d have to leave for the meeting with Silver Wings in an hour, but Jazz was struggling to think. Make connections. Paul. Barton! That was his last name. And they’d never exchanged Emails or pictures. He’d only seen the good-looking dude once. In Farmington. In some motel room. Had they got it on? Could be.
          Jazz came upright in the bed as a shadowy figure flitted just out of reach in his head. BJ! BJ’s Paul was talking to Juan? Was the fucker two-timing BJ? His skin crawled as he shook his head. No. No, Paul contacted Juan because… because BJ was looking for him!
          Jazz lay back and battled his emotions. He had ventured out of his comfort zone for the promise of a steady connection. A loving, intelligent, exciting man of his own. Like BJ had with Paul. And it had been wonderful for a while. Everything he’d ever dreamed of. But it all turned to ashes. Pipe ash.
          Why had he let Juanito talk him into smoking the crack? His new life had been wonderful without the crap. But Juanito promised him they’d make things even better. And they had—for a bit. Then it changed. He changed. The world changed. Now he pleasured men in exchange for the pipes. Men? Well, Juanito and Silver Wings. But he knew there would be more men one day. Probably when they took that trip to Mexico Juan talked about.
          His frazzled mind called up the image of BJ. BJ was a detective. He’d find him and drag his ass out of this tangled mess. His heart soared until it nearly burst before abruptly slowing, leaving him woozy. Did he want out? Yeah, it would be good to go home. See his mom and Uncle Riley. Henry. His father. But if BJ got him out, the man he idolized would see what he’d become. His stomach plummeted as an overwhelming sense of shame drove him to bury his head beneath the bedcovers.
          Jazz sobbed and willed his heart to stop. To cease. To spare him anything that lay beyond this moment, this room, this bed. But Coyote refused to throw a rock into Black Water Lake to summon death, so his heart ignored his wishes and thudded against his ribs in a stubborn, determined beat.
*****
Sounds like Jazz is in deep do-do. Can BJ save him before he gets so depraved by sex trafficking and drugs that he is no longer the man he was?

Following the recent release of THE CITY OF ROCKS, I’ve decided to take a greater interest in promoting my books. In pursuit of that, I’d like to build a database of email addresses of my readers. Nothing nefarious, just to let readers know when something significant happens, such as the release of the next novel, THE LOVELY PINES. If you send your address to dontravis21@gmail.com, I will do nothing more with it than to send you timely messages.

The following information provides contact information and the DSP Publications links:

Don Travis Email: dontravis21@gmail.com
Blog: dontravis.com
Facebook: Don Travis
Twitter: @dontravis3


As always, thanks for being a reader.

Don


New blogs are posted at 6:00 a.m. each Thursday.

Thursday, August 13, 2015

BJ VINSON GETS SOME MORE HELP FROM HIS JUNIOR PI

For the past couple of weeks, we’ve taken a look at THE BISTI BUSINESS and THE ZOZOBRA INCIDENT. Since those posts elicited some comments, we’ll go with another scene from BISTI today. The teenage, gay kid who’s been giving our hero some assistance sleuthing around Farmington, has led BJ to Black Hole Canyon on the Navajo Rez in pursuit of a car. As we saw in an earlier post, they locate the car, and  our PI’s nose tells him there is a body in the trunk. He notifies the authorities, and then they wait.

The following scene takes place at the end of Chapter 18 after the trunk has been opened and body inside, identified. BJ is talking to Jazz Penrod, the youth who’s been so helpful.
******
Gaines passed two Navajo cops walking up out of the canyon as he headed back down to the crime scene. Jazz moseyed over to the two policemen to exchange a few words before they got into the cruiser and pulled away.
“They don’t know anything,” Jazz said as he rejoined me. “They kinda get their noses out of joint when the FBI treats them like intruders. They say Gaines isn’t as bad as some of the agents, but they still feel froze out. But they did say the guy in the trunk had been shot.”
“Thanks.”
The EMTs beat the OMI to the site by about thirty seconds—which must have set some sort of time record. Hard on their heels, a wrecker arrived from Farmington. Another half-hour passed before they winched the Ford back up onto the rim of the canyon. Jazz and I watched as the medics lifted the body out of the trunk, laid it on a gurney, and began taking more pictures. We were a little distance removed, but I clearly heard the doctor give a preliminary opinion, which confirmed what the Navajo cops had told Jazz. The victim had been shot in the head, probably by a handgun.
Eventually, Gaines beckoned us over and lifted a wallet in his gloved hand. “Looks like you were right, Vinson. The California driver’s and PI licenses says it’s Santillanes. You’ll come in and give a statement, right? Both of you.”
I agreed and headed for my rental car before he decided to take us in for questioning that very minute. Jazz was quiet most of the way back to town, but at length, he spoke.
“Heavy, huh? I never saw a rotten dead guy before. I mean, I been to funerals, but those guys sure didn’t look like that dude.”
“No, but it didn’t bother Santillanes any more than it bothered those corpses being cleaned up for the mourners.”
“Man, you sure have weird thoughts.”
I laughed. “You’re not the first one to tell me that. Thanks for your tip, Jazz. If you hadn’t called me, the body might not have been discovered for weeks.”
“Yeah, sure. What’re you gonna do now?”
“Keep looking for Lando.”
“How come you don’t think he’s the killer? You don’t think gay guys can be killers?”
“Sure they can, but everything I’ve learned about Orlando Alfano says he’s not a murderer.”
“And you’re not ever wrong?”
“You got me there. I’m wrong a lot.”
*****
Life is hell when you suspect everyone in the case may be the bad guy or in league with the bad guy. Hope you enjoyed the short snippet of the book.

Thanks for being a reader.

I always look forward to hearing from any of you who’d like to make contact.


New Posts are published at 6:00 a.m. each Thursday.

Thursday, June 18, 2015

Black Hole Canyon from THE BISTI BUSINESS

On August 8, 2013 I published a post on this blog called We Meet Jazz Penrod Again, in which the junior detective told our hero, BJ Vinson, he and his brother Henry Secatero had discovered a lead: A car parked out on the Navajo Reservation where it had no business being. Let’s accompany BJ and Jazz as they check out the situation. The following passage comes in Chapter 17 of THE BISTI BUSINESS, beginning on Page 139.
*****
This is not really the red rock part of New Mexico, but the massive, wind-carved sandstone shelves—some the remnants of ancient barrier reefs—glowed red and orange, striated with layers of black and yellow and brown and white. I identified feldspar and hematite, quartz and dark-brown calcite, degraded coal and gypsum embedded in the host rock, all deposited eons ago when the shallow marine sea retreated with the upheaval of mountains in what is now southwestern Colorado. Volcanic eruptions had spewed fire and ash over the entire area. As the water retreated, sand dunes consolidated into cross-bedded Entrada Sandstone. Over the ensuing ages, the ceaseless battle between wind and rock and water had chopped the terrain to pieces, creating the present landscape.
The Shiprock monolith, which lay in the distance ahead of us, was the throat of a volcano that had died long ago. The terrain around it eroded and washed away, leaving a 450-foot pile of black basalt towering over the Navajo Nation.
Long before we reached Shiprock, Jazz had me turn south on a rocky dirt road. As we began climbing. I kept a wary eye on the gas gauge Throwing the car into low gear to make it up and down the steep inclines of the washboard landscape was eating up the fuel. The rental sedan wasn’t made for this kind of country, and I was about to give it up as a bad venture when he pointed left.
“Take that road there.”
“What road?”
He laughed. “It’s a road down into Black Hole Canyon. Or at least a track. The car’s not far now if I understood Henry right. If it’s still there, that is.”
With more than a little trepidation, I followed his directions. My stomach fell along with the road as the earth dropped sharply. To our left, there was nothing but open air. The narrow ledge supporting us hugged the wall of the canyon—and it was a canyon, not a big-assed arroyo as he'd described it earlier. We dropped farther down the uncertain trail while tons of mudstone leaned outward above the car, threatening to shove us into the abyss. My knuckles turned white on the steering wheel.
“This is the worst part,” Jazz said. “The trail curves to the right just ahead, and there’s an overhang. That’s where Henry said the car was parked.”
“Like someone wanted to hide it,” I rasped, desperate for the sound of my voice once last time before we ran out of road and pitched over into oblivion.
“Yeah, like that. Me and Henry used to come out here when we were kids and hunt jackrabbits and rattlesnakes.”
I grunted. It was supposed to be a laugh but didn’t come out that way. “I thought you Native Americans were into preserving the environment, not killing anything that moved.”
“I’m half white. I guess that part of me’s a killer.”
The cryptic remark would have earned him a glance if I hadn’t been concentrating on keeping the car on this pitiful excuse of a scree-littered burro trail. “Your brother doesn’t have white blood, does he?”
“No, but the family ate the jackrabbits. Guess they ate a little snake now and then, too.”
We inched around the curve, and I tapped the brake. A car blocked our progress—a brown four-door Ford sedan.
We didn’t need to get out of the car to know what had happened, but we did it anyway. The stench was overpowering. Something—or somebody—was dead. Without touching a thing, I peered through the windows and determined no one was in the passenger compartment. The odor seemed to come from the rear of the vehicle, so the body was in the trunk. Was it a confidential investigator called Hugo Santillanes or a kid named Lando Alfano?
*****
Hope you’ll be motivated to get a copy of the book. Thanks for reading. Be happy to hear from you.


New Posts are published at 6:00 a.m. each Thursday.

Thursday, January 8, 2015

Jazz Penrod and THE BISTI BUSINESS, Revisited

A friend of mine who is as taken with the other-worldly beauty of Bisti/De-Na-Zin as I am recently asked my permission to post something about The Bisti Business. I agreed and understand he posted  yesterday. Check out donaldtmorgan.com to see what he had to say.

This got me to thinking about BISTI, so I decided to excerpt something out of the book as the subject of this post. As I’ve already shared with regular readers, Jazz Penrod is one of my favorite characters in the novel. He’s sassy, saucy, and meets life head on. If being gay puts him at a disadvantage in society, he doesn’t seem to know it.

Let’s visit Jasper Penrod once again as he helps BJ look for Lando Alfano and his traveling companion. But don’t’ call him Jasper. He considers Jazz as much cooler. The scene below comes at the beginning of Chapter 17 and needs no explanation.

*****
     Jazz Penrod phoned early the next morning asking for a meet. When I picked him up on the sidewalk in front of his mom’s house, he was dressed in denim cut-offs so tight he’d had to split the seam up the outside of the thigh in order to sit down. A thin T-shirt with straps—what my mom had called an undershirt—exposed his broad, red-brown shoulders and sheathed his torso like original skin. He wore open sandals, more like shower clogs than shoes, without socks. He grinned and shoved a black-billed cap with a red Captain Morgan logo back on his head.
     “Mr. Vinson,” he said.
     I popped the lock, and he flowed into the passenger’s seat like liquid mercury. “Morning, Jazz. What can I do for you?”
     “Maybe it’s what I can do for you,” he countered, and then laughed aloud at my quick frown. “No, not that. I picked up a rumor. Thought you’d want to know.”
     “Fine. How about some breakfast?”
     “Okay by me.”
     After we gave our order to a waiter in a nearby café, Jazz threw a long arm over the back of the chair next to him. As a trained investigator, I believe I notice things others do not, but I would have erroneously described him as skinny. Not so. He was slender, yes, but buffed with defined muscles—corded muscles. That thin shirt stretching over his torso clearly outlined a six-pack.
     “Okay, now tell me about that rumor.”
     “My brother—you know, Henry Secatero—he called me last night. He was over at the Chapter House to meet this girl. I’d told him about those missing guys, so when he heard there’d been outsiders on the rez where they didn’t have any business, he thought of Lando and Dana.”
     “Did he get any details?”
     “Well, there’s a car, somebody said. Supposed to have been parked out on the rim of Black Hole Canyon. Been there a few days.”
     “Where is Black Hole Canyon?”
     “Sort of a rugged area not too far off the highway. It’s not really a canyon, just a big-assed arroyo. But Henry said the car’s not in it, just pulled up under an overhang where it’s kinda out of sight.”
     My coffee and French toast and Jazz’s bacon and eggs and hash browns with a side of ham arrived. He stopped talking and dug in, eating rapidly while I munched and mulled over what he had told me. I was tempted to dismiss the incident; there was nothing to directly tie this to Lando, but I was looking for a car, and Henry had found one. It was worth checking out.
     Jazz put down his knife and fork after his last bite of ham and drained his glass of orange juice. “You wanna go take a look?”
     “Jazz, you’re not out to put your mark on me, are you?” I felt like a fool; there were more attractive fish in the ocean than me, but every look, every gesture seemed to be bait—chum for the sharks.
     “I wouldn’t mind,” he admitted, “but I heard you when you said you were taken. Look, I liked Dana and respected Lando. If I can help them out, I’d like to do it.”
     “Fair enough. If you’re finished, let’s go.”
     “Let’s rumble, but first I gotta go home and change. I’d burn up out there in the sun dressed like this.”

*****
Thanks for reading. Look around the site while you’re here, and give me some feedback on Jazz Penrod.

Don

New Posts are published at 6:00 a.m. each Thursday.


Thursday, November 28, 2013

Back to THE BISTI BUSINESS

A reader recently asked me to identify my favorite passage in my novel, THE BISTI BUSINESS. After thinking for a few moments, I promised her an answer on this blog.

Since that time, I’ve given the question a considerable amount of attention. The real answer is that I do not have a single favorite passage.

I really like the interplay between BJ and Jazz Penrod. Although he is not about to compromise his relationship with his true love, Paul Barton (whom we first meet in THE ZOZOBRA INCIDENT), BJ is intrigued by the mixed-blood gay teenager who confidently moves on his own terms through a Northwest New Mexico community not known for its tolerance of either homosexuals or Indians.

I had fun with the easy way Jazz and his skirt-chasing, extremely hetero half-brother, Henry Secatero, worked with one another.

The Bisti Wilderness fascinates me, and descriptions of that other-worldly place would be high on my list of favorites.

However, I decided on the following as the answer to my curious reader’s question. The scene comes early in the book (Page 6) and shows BJ right after taking an after-hours call from a Napa Valley wine mogul seeking to hire BJ to locate his missing younger son. BJ’s office is located on the north-facing third floor of a downtown historic building.

###

After hanging up, I tapped my desk blotter with a gold and onyx letter opener fashioned into a miniature Toledo blade. I sighed aloud. The Alfano case had all the hallmarks of developing into a nightmare. Working for attorneys was easier; they understood the process. Private individuals had a warped idea of what a PI did, which was nothing more or less than gathering information. But I was committed, so I might as well make the best of it.

I returned to the visual meditation of the landscape outside my window. As nature’s glow dimmed, man-made lights came alive: amber lampposts, white fluorescents, flamboyant neons, yellow vehicle headlights reflecting off wet pavement, and far in the distance a tiny spot moving slowly across the sky—one of the aerial trams hauling patrons up Sandia Peak’s rugged western escarpment to the restaurant atop the mountain.

By leaning forward, I caught the faint, rosy underbelly of a western cloudbank, the lingering legacy of a dead sunset. Was that what had drawn Orlando and Dana to the Land of Enchantment? Spectacular scenery and surreal sunsets? Or was it our rich heritage of Indian and Hispanic art? The two were history majors, and Albuquerque had a long history. It was approaching its 300th birthday, while Santa Fe and many of the nearby Indian Pueblos had longer lifelines.

Beyond my line of sight, the city’s original settlement lay to the west where one- and two-storied adobe shops—some ancient and some merely pretending to be—hearken back to their Spanish colonial roots. Now known as Old Town, it was founded in 1706 by Governor Francisco Cuervo y Valdez as the Villa del Alburquerque—some say Ranchos del Alburquerque. In either case, the Spanish colonial outpost was named in honor of New Spain’s Viceroy in Mexico City. The second “R” of the Duke’s name disappeared in 1880 with the coming of the railroad to New Town, located two miles east of Hispanic Old Town, a signal the Anglos had successfully wrested the heart—if not the soul—of the community from its founders.

It seemed as though a similar battle was being waged between Dana Norville and Anthony Alfano for the heart and soul of Orlando. Papa Alfano had given me cell phone and pager numbers for his son. He kept his pup on a short leash—or tried to. Not only that, but the old man had checked Norville out at the first signs of a budding friendship between the two. I’d bet Alfano was accustomed to throwing his weight around, railroading or buying whomever he wanted, including his son. My instinctive dislike of the homophobic bully made me wonder how far he would go to “turn his son around.” Maybe Orlando went on the run to get out from under the thumb of his tyrannical patriarch.

###

Why did I pick this pastoral scene instead of some action-filled part of the book? Because it reveals something about the soul of not only my hero, BJ Vinson, but also the soul of this city that I love, Albuquerque, New Mexico. BJ accepts the assignment to locate the missing gay son of an apparent homophobe despite being revolted at the attitude of his new employer. He accepts the job because two young men may be in trouble.

The scene contains one significant fact that is sort of a throwaway. Confidential investigators have been romanticized in literature, in television, on radio, and in the movies so much that we lose sight of the real goal of these professionals: gather data for their clients. And I believe it is true most of them prefer to work for attorneys who recognize their actual role in the scheme of things.

And finally, as BJ seeks to tamper down his agitation at Anthony Alfano’s crude and bullying attitude, he does it by looking out the window and contemplating the past and the present of the second protagonist of the book, the City of Albuquerque, indeed, the great State of New Mexico.

At any rate, that’s my judgment. Hope you agree.

Happy Thanksgiving to you all. Please take the time to check out some of the other pages of this site.

Don

 
Next week: It'll be whatever it be.
 
New posts are published at 6:00 a.m. each Thursday.

Thursday, August 8, 2013

We Meet Jazz Penrod Again

In the post of July 11, I introduced you to the delightful teenager Jazz Penrod in THE BISTI BUSINESS (Martin Brown Publishers). Today, as I rummaged around for something to write about, I came upon a passage that sort of showcases his sassy, aggressive side while demonstrating he has a serious nature, too. After all, he’s doing his best to help BJ solve a murder. This begins on Page 128 of BISTI.

###

CHAPTER 17

Jazz Penrod phoned early the next morning asking for a meet. When I picked him up on the sidewalk in front of his mom’s house, he was dressed in denim cut-offs so tight he’d had to split the seam up the outside of the thigh in order to sit down. A thin T-shirt with straps—what my mom had called an undershirt—exposed his broad, red-brown shoulders and sheathed his torso like original skin. He wore open sandals, more like shower clogs than shoes, without socks. He grinned and shoved a black-billed cap with a red Captain Morgan logo back on his head.

“Mr. Vinson,” he said.

I popped the lock, and he flowed into the passenger’s seat like liquid mercury. “Morning, Jazz. What can I do for you?”

“Maybe it’s what I can do for you,” he countered, and then laughed aloud at my quick frown. “No, not that. I picked up a rumor. Thought you’d want to know.”

“Fine. How about some breakfast?”

“Okay by me.”

After we gave our order to a waiter in a nearby café, Jazz threw a long arm over the back of the chair next to him. As a trained investigator, I believe I notice things others do not, but I would have erroneously described him as skinny. Not so. He was slender, yes, but buffed with defined muscles—corded muscles. That thin shirt stretching over his torso clearly outlined a six-pack.

“Okay, now tell me about that rumor.”

“My brother—you know, Henry Secatero—he called me last night. He was over at the Chapter House to meet this girl. I’d told him about those missing guys and one turning up dead, so when he heard there’d been outsiders on the rez where they didn’t have any business, he thought of Lando and Dana.”

“Did he get any details?”

“Well, there’s a car, somebody said. Supposed to have been parked out on the rim of Black Hole Canyon. Been there a few days.”

“Where is Black Hole Canyon?”

“Sort of a rugged area not too far off the highway. It’s not really a canyon, just a big-assed arroyo. But Henry said the car’s not in it, just pulled up under an overhang where it’s kinda out of sight.”

My coffee and French toast and Jazz’s bacon and eggs and hash browns with a side of ham arrived. He stopped talking and dug in, eating rapidly while I munched and mulled over what he had told me. I was tempted to dismiss the incident; there was nothing to directly tie this to Lando, but I was looking for a car, and Henry had found one. It was worth checking out.

Jazz put down his knife and fork after his last bite of ham and drained his glass of orange juice. “You wanna go take a look?”

“Jazz, you’re not out to put your mark on me, are you?” I felt like a fool; there were more attractive fish in the ocean than me, but every look, every gesture seemed to be bait—chum for the sharks.

“I wouldn’t mind,” he admitted, “but I heard you when you said you were taken. Look, I liked Dana and respected Lando. If I can help them out, I’d like to do it.”

“Fair enough. If you’re finished, let’s go.”

“Let’s rumble, but first I gotta go home and change. I’d burn up out there in the sun dressed like this.”

###

So there he is, Jasper (Jazz) Penrod, aggressively showing off his natural assets, flirting, yet quite practical when he’s about to go out into the brilliant high desert sun to make what will be a vital breakthrough on the case. Go, Jazz!
 

Next week: Yep, one day we’ll get to the Bisti/De-Na-Zin Wilderness?

New posts are published at 6:00 a.m. each Thursday.

Thursday, July 11, 2013

My How Time Flies When You’re Having Foolishness

I’ve been promising to get back to the basic intent of this blog, which is to showcase some of the beautiful places in the great State of New Mexico. Today, I wandered back through prior posts and realized the last time I’d done that was on April 25 when we took a look at “Hogans, Homes, and Ceremonial Lodges.” After that, I got caught up in my own foibles and foolishness. Rather egotistical, I’ll admit, but fun at times, as well.

So today, let’s go back to THE BISTI BUSINESS and see what we can discover of interest. We’ve already taken a look at Taos and Farmington and the Navajo Reservation. Rather than a place this time, let’s look at one of the more interesting characters in the book. An eighteen-year-old half-Navajo, half-Anglo kid who also is unabashedly gay and pretty hep.

Jazz Penrod isn’t swishy or obvious about it beyond the fact he’s as beautiful as any woman in town and a tad more graceful than most guys. Men—and women—have been going gaga over him since he hit puberty. Let’s let Melissa, the clerk at The Trail’s End on Main, describe him for us. Our intrepid PI, B. J. Vinson, has tracked the two men he’s searching for to this motel. The “Cruz” mentioned at the beginning of the exchange is a connection from Taos BJ’s trying to run down. The conversation begins on Page 55 of the book:

###

         Melissa frowned. “I don’t know any Cruz. This was a local kid. Jazz Penrod.”
        “You know anything about him?”
        “I know him,” she said without any inflection in her voice. “Trouble. Has been since he was thirteen.”
        “What kind of trouble?”
        “Maybe you better go ask somebody else. I don’t like gossiping.”
        “Okay, lend me your phone and I’ll call Sergeant Dix Lee at the FPD and have her come ask the questions.”
        “All right, Jasper Penrod is a mixed blood kid who’s lived here all his life. Here and on the Big Rez.” She tossed her head in a westerly direction. “He’s about the biggest competition the girls in this town have. He’s as pretty as any of them—heck, prettier—and he likes the same thing they do, except he’s more aggressive about it.”
        “He’s gay?”
        “Most definitely.”
        “You mean dresses up in women’s clothes?”
        “Not Jazz. He dresses like a man and acts like a man, but he puts the moves on a man just like a woman. Been more than one guy in trouble for fooling around with Jazz when he was underage.”
        “How old is he now?”
        “About eighteen.  He’s a good kid, really. By that, I mean, he doesn’t get anyone in trouble on purpose. But he wants what he wants, and isn’t shy about it.”
        “A kid could get in trouble for that—especially around here, I understand.”
        “Yeah, a lot of the fellas don’t like gay people. And Jazz doesn’t make any bones about being that way. But he does it different. Not faggy or flighty or anything like that. And he’s just so…so pretty.”
        “A pretty face sometimes causes bad trouble.”
        “You’re right about that. But his daddy’s one mean Indian, and he’s got a whole clan to back him up—including Jazz’s brother. Half-brother, I guess. So the word went out, and nobody in his right mind tackles Jazz. His mom’s brother stands up for him, too. He’s white.”
 
###

And that is our introduction to Jasper Penrod—any question about why he prefers Jazz?—a lively, curious, and intelligent young man who introduces us to his equally sexy but fiercely heterosexual Navajo half-brother, Henry Secatero. But does BJ make a mistake when he enlists Jazz’s help in locating his client’s missing son? Jazz so enthusiastically throws himself into the role of a junior PI he could be courting danger. And even a street-wise kid may be no match for a brutal murderer.
So does he help or hinder BJ in his quest? You’ll have to read the book to find out…but I will say you might see more of Jazz Penrod in a future novel in the series.

Next week: Maybe some more about THE BISTI BUSINESS, but that depends on how much Stupid I get mixed up in between then and now.

New posts are published at 6:00 a.m. each Thursday.

Thursday, April 25, 2013

Hogans: Homes and Ceremonial Lodges

In Chapter 38 of THE BISTI BUSINESS, our investigator, BJ Vinson, goes to a deserted hogan on the Navajo Reservation where his helpers, Jazz Penrod and his half brother, Henry Secatero, are hiding someone for him. What is a hogan? The simple answer is a hut, but maybe it goes deeper than that. Let’s take a look.

According to the 2010 Census, the Navajos are the largest tribe in the United States by population (308,000). As a matter of interest, the Cherokee (285,000) and the Sioux (131,000) are the next two tribes in order of ranking.

A Conical Navajo Hogan
The Navajo (so named by the Spanish) are an Athabascan-speaking people whose ancestors probably migrated from northwestern Canada and eastern Alaska (as did the Apache, a related tribe) to the southwestern United States. They were believed to have made this migration circa 1400 CE and were well-established by the time the Spaniards arrived. They call themselves Diné. Their homeland, Dinétah, is a 16,000,000-acre reservation in the Four Corners Area that spills over into three states: Arizona, New Mexico, and Utah. Their traditional home is bounded by four sacred mountains: Blanca Peak (Sisnaajini or Dawn or White Shell Mountain) in Colorado, Mount Taylor (Tsoodzil or Turquoise Mountain) in New Mexico, the San Francisco Peaks (Dook’o’oostííd or Abalone Shell Mountain) in Arizona, and Hesperus Mountain (Dibé Nitsaa or Big Mountain Sheep) in Colorado. Navajo toddlers are told they should never go beyond these boundaries.

Until contact with Pueblos and the Spanish, the Navajo were largely hunters and gatherers. The tribe adopted crop farming from the Pueblos, growing mainly corn, beans, and squash. After the Spanish arrived, the Navajo began herding sheep and goats as a main source of trade and food. At that time, meat became an essential part of their diet, as well as a form of currency for trading. Eventually, the size of a family’s sheep herd became a status symbol.
 
Today, the tribe is world famous for its fine silver and turquoise jewelery-making, especially its hallmark piece called the "squash blossom" necklace, which first appeared in the 1880s. They are equally renowned for their weaving skills. Two Gray Hills and Teec Nos Pos and Ganado and Chinlee are just some of the distinctive styles and patterns that have become so well established. Some of the rugs go for thousands of dollars.

Historically, Navajo society has been matrilineal, meaning women owned the livestock and land. Upon marrying, a Navajo man moved in with his bride in her dwelling among her mother’s people and clan. As anyone reading the popular Tony Hillerman novels of the two Navajo cops, Joe Leaphorn and Jim Chee, is aware, the tribe is a clan society. Offspring of a marriage are “born to” (and belong to) the mother’s clan, and are said to be “born for” the father’s clan. When strangers meet, it was (and perhaps is) customary to identify the born to and born for clans as a means of identifying background. A Navajo must date and marry an individual outside of his or her own clans, which include the clans of their four grandparents.


Log, mud caulked Hogan
The hogan, the traditional home of the Navajo, is a shelter built for a man or a woman out of wood and often covered in mud with a smoke hole at the apex of a domed roof. The door always faces east to welcome the sun each morning. A blanket is hung like a curtain in place of a door. In the winter, there might be a second blanket draped behind the first as added protection against the cold.

Those who practice the Navajo religion of seeking harmony in all things, regard the hogan as sacred. The religious song, “The Blessingway” (hozhooji) describes the first such structure built by Coyote with help from beavers to be a house for First Man, First Woman, and Talking God.

Sometimes, there would be a summer hogan with a brush wall surrounding an open space where much of the family’s time was spent. Many families still live in hogans, although trailers and modern houses are beginning to replace them. Even so, there will still be a hogan nearby to be used for ceremonial purposes.

The Navajo sweat houses are a smaller version of a hogan, except there is no smoke hole, as a fire will never be built in one. The rocks are heated outside and carried into the building using tongs.

The hogans Jazz and Henry took BJ to were abandoned huts of relatives. Probably long-dead relatives, although they did not die in the structures. Had that been the case, the buildings would have been destroyed, or at the least had a large hole torn in the sides to allow the spirit of the deceased to escape. Even so—modern guys though they were—Jazz and Henry would have been reluctant to enter them.
 

Next week: Inspiration hasn’t struck, as yet.

 

New posts are published at 6:00 a.m. each Thursday.

Blog Archive